Introducing the man who needs no introduction but deserves one anyway: the inimitable, the influential, the epic – Flume. Darling of the triple j airwaves and winner of two Hottest 100 countdowns, this Aria, Apra and Grammy-guzzling producer has reset, reshaped and redefined the sound of Aussie electronica for more than a decade and counting. Constantly evolving to make his shows bigger and bolder than ever, both fresh ideas and old favourites from Flume are guaranteed gets you moving.
Dom Dolla slings bigroom party house with catchy hooks, bouncy rhythms and basslines too slutty to meet the parents. He’s been an Australian festival fixture for years but lately our boy has come, seen and conquered the global dance scene. Now approaching 1 billion streams, Dolla is topping charts, winning awards, selling out the biggest venues in the world and in-demand as a collaborator with industry A-Listers from Nelly Furtado to MK. Somehow we get the feeling he’s still warming up…
Atmospheric indie dance rock that makes you want to jump around in the sun with your mouth open – aka the infectious formula of one of UK’s biggest exports, Foals. Touring the world for almost two decades, this multi-award-winning three-piece knows its way around a festival mainstage, striking a seasoned balance between the effervescence of indie pop and a crashing rock’n’roll intensity.
Creators of one of the most iconic logos in dance music, Bicep pack the punch they advertise. With unbridled passion for crate digging and a habit of producing era-defining modern classics, their shows are an expertly curated all-sensory onslaught of epic. Headlining Glastonbury, selling out London’s 10K-cap Alexandra Palace in 5 minutes, producing an anthem like Glue… it’s all in a day’s work for this legendary Belfast duo.
Picture this: you’ve been at the top of your game for decades; a household name in dance music and a master of the three-deck DJ set. You’ve helmed one of the longest running club nights in Ibiza, played every major dance floor in the world (and plenty of freaky little ones too), dominated dance music media and even developed a trademark catch phrase – what do you do next? Introducing Carl Cox’s ‘Hybrid’ set, where the legendary selector crafts new music live with drum machines, synths and more whilst weaving in a classic DJ set at the same time. Epic sounds, awe-inspiring skills and a whole new frontier for a bonafide living legend. Oh yes, oh yes!
Once the juicy little Wild Strawberries of the Australia’s electro golden era, award-winning Sydney trio PNAU has only become wilder and sweeter with age. Now producing five-times platinum hits like Changes and Chameleon like it’s no big deal, they’ve most recently reached stratospheric new heights with their globe-dominating remix of ‘Cold Heart’ with Elton John and Dua Lipa. If it pushes the traditional boundaries of music, societal constructs and consciousness itself – but also is a funky banger – it’s probably PNAU.
Back in 2009, two brothers from the Beaches did the world a favour and started a band. Adding a playful coastal blend to a post-Strokes rock sound, Lime Cordiale slowly graduated from backyard jams to selling out Sydney’s Hordern and London’s Electric Ballroom, one great gig at a time. Familiar fixtures at Lost over the years, we’ve watched them win Arias, dominate countdowns and even land an Idris Elba collab. Don’t let the laidback sound fool you, Lime Cordiale brings huge party energy to the stage, with horn sections, dance breaks and a feral sense of humour.
From pop-rock to r’n’b to indie electronica, we just keep coming back for the latest evolution of Brissie four-piece, The Jungle Giants. Splashed across the pointy end of the Aria and triple j charts for over a decade, the band – and its half a billion global streams – can safely be dubbed Australian indie-rock royalty. Expect a big live sound with plenty of oomph added to The Giants’ trademark nimble guitar licks and bouncy choruses that sets that drink in your hand sloshing right out of its cup and onto the punter next to you. Ahh, festivals!
Limber up for a delicious blend of uplifting pianos, disco drums, irresistible rhythms and smooth basslines: a Jayda G set pays tribute to the dancefloors of the past whilst still sounding fresher than a glass of OJ. Thanks to the mid-pandemic piece of perfection that is Both Of Us, an artist already making waves on the global scene suddenly took it by storm. If you’ve seen her in action, you’ll know that ecstatic, unbridled dance floor joy is inevitable.
One of the biggest dance music duos of all time is en route to Glenworth, packing big, boisterous house bangers with hooks so good they refuse to rust after decades of play. These giants of the noughties – responsible for the classics Where’s Your Head At, Red Alert, Good Luck and Romeo – know their way around a party anthem, yet always prioritise the eccentric and unexpected. They’ve produced with the greats, banked a Grammy and reconfigured their hits into lush orchestral works; yet their hearts belong where it all began – the sweaty centre of the club.
Honey-smooth grooves and that signature silken baritone, Channel Tres is an unmistakably class act. Bringing the beauty of Detroit and Chicago house into mainstream consciousness in a perfect blend with hip hop grit and R&B soul, he collaborates with tastemakers from Jamie Jones to Tyler the Creator and sells out massive tours across the US, Europe and Australia. Authentic, innovative and on top of his game, Channel Tres will get you moving.
Heart stopping in its honesty, thorough in meaning and delicate grit – Holly Humberstone hits hard. Touting a fragile balladry that simultaneously packs an emotional gut punch, her’s is a sonic style that can heal. Anointed a ‘Rising Star’ at the Brit Awards, this English songsmith has played The Tonight Show and toured the States with Olivia Rodrigo. Whether grounded acoustically or soaring in atmospheric distinction, Holly will have you swooning for a love you’re yet to encounter.
What is it about Overmono that hits so deep? The stream of perfection which flows from the duo’s UK studio first found its way onto dance floors via the likes of Four Tet and Joy Orbison, and now draws punters from around the world to mainstages in droves. Overmono knows when less equals more, and when to send us into the stratosphere. The grit of breakbeat, the weight of dub and the heartwrench of melancholy vocal hooks… they all combine to hit us right in our little rave hearts, every damn time.
Expect in your face, sledgehammer house music from Galway’s KETTAMA. Well-versed in lifting the roof off your favourite club or cavernous warehouse, KETTAMA sees an eager dancefloor and comes in swinging. It’s been a lightning fast rise to the global stage ever since he shoved a USB stick of originals at Mall Grab and hoped for the best. Mall Grab recognised quality, and KETTAMA’s been delivering ever since.
Once one of Sydney’s best kept secrets; now regarded as one of the world’s best live acts – Sydney six-piece Winston Surfshirt hardly need an introduction for fans of laid back, brass-laden R&B-soul. Once dubbed Sir Elton John’s “favourite band of the moment”, the collective has gone on to release multi-platinum singles and sell out tours across Australia and Europe. Now with three full lengths of original material to their name, a Surfshirt set stirs the best of West-coast hip hop, 60s psych-pop, dusty jazz recordings and the band’s trademark brass section into a delectable funk-cocktail that’s old school in feel, modern in style – and utterly irresistible.
Here’s one to shake the cobwebs, the inhibitions and any chinstrokers in your festival crew right off: DJ Heartstring is fast, excessive and unashamedly over the top. Think raucous pop meets aggressive trance meets eurodance meets thousands of happy bouncing punters and you’re getting close to the ecstatic mayhem this duo unleashes. Come to DJ Heartstring to let loose, feel the love and have a laugh – all at the gentle pace of 150bpm.
Japanese/Australian duo Lastlings are an anthemic pool to be immersed in. Stirring synths and nuanced auditory textures provide ample footing for their pop-indebted songcraft and dexterous live performances. Having toured extensively with RÜFÜS DU SOL – as well as a run of sold-out shows both in Australia and America – Lastlings provide an atmosphere that resonates deeply within the chest; an emotional uplift set to get your body moving and heart racing. See you front left for full feels.
New kids on the block, but you wouldn’t know it. The Royel Otis boys are raking in the plays, hitting the major festivals and drawing bigger crowds to each and every gig with their easy magnetism and sun-soaked indie-pop. From breakthrough hit ‘Oysters In My Pocket’ to the ultra catchy ‘Sofa King’, the pacey strum of summer underpins every track – think road trips, beach days, festivals and feelings. It’s a warm, guitar-rich sound with stacks of singalong moments. Press play on Royel Otis and activate holiday mode.
Whether its liquid D’n’B or tripped out psychedelia, Sycco’s brand of pop is essential festival material. With a production expertise that wanders from intricate beatmaking to a sparkling sense of melody, her latest offering has seen her team up with electronic icons Flume and Chrome Sparks for the inescapable ‘Ripple’. With a live show that brings an energy unbound, this First Nation’s high-flyer has already toured with Flight Facilities and Aussie psych-pop juggernauts Tame Impala. Next up: her infectious cacophony of dance and top-of-your-lungs singalongs comes to Lost Paradise. Giddy up!
From Printworks to Pacha to poolside in LA, Cassian’s melodic, big-room-ready bass lines will send tingles up the back of your spine. A regular on the Tale of Us Afterlife party circuit, this Sydney born, US-based beatmaker delivers deep and epic dance floor moments to punters around the world. As active behind the scenes as he is in the booth, he’s behind a stack of your dance floor faves, recently remixing Jimi Jules and doing Aria and Grammy-winning work on releases from RÜFÜS DU SOL, Hayden James, What So Not and more.
Big bounce, big rhythms and big love: a headline set from man of the moment Ewan McVicar has it all. With impeccable taste boosted by his stack of zesty productions and remixes – including hugely successful house belter, Tell Me Something Good – McVicar channels much of his success into growing the music scene of his home town in Scotland. Great DJ – also a bit of a legend.
High octane, disco-soaked house so infectious it’ll get grandma dancing. With the ubiquitous 2022 hit Afraid To Feel soundtracking the crescendo of every club night for a solid year and claiming the top spot in the UK charts for 8 consecutive weeks, the world of these two talented Scottish lads was forever upended. The buzz around them escalated to a roar and their touring schedule became a parade of top tier bucket-list events. They sent us to the heavens at Lost Sundays – next stop, Paradise.
With productions that wash over you like golden-hour in a bottle, and live sets that take those irresistible vibes up a notch or ten, Barry Can’t Swim but he sure can dance. Purveyor of jazz-infused house tracks with innovative sampling and sunny temperaments, this Edinburgh-born, London-based artist brings joy and hedonism to dancefloors of the world. Expect high-energy, euphoric groovers with a healthy dose of Scottish mayhem.
Having torn the roof off UK festivals like Field Day, Parklife and Secret Garden Party, salute is a staple in modern dance music. The Austrian-born, Manchester-based wiz has garnered praise and important handshakes from the likes of Four Set, DJ Seinfeld and Floating Points to name but a few. If they’re not rolling out gut-busting sets for Boiler Room, they’re chopping up samples into a fine concoction of emotional, nuanced rhythms. Landing somewhere between melancholy and euphoria, salute’s productions are club heavy and brimming with pitched vocals, percussive groove and nocturnal energy.
From Beyond the Valley to Pitch to the hallowed tiles of Berlin’s Hör, STÜM has left a trail of destruction and delight in his wake. Fast, loud and ferocious, his vibe is trance meets hardstyle meets the last man standing at the doof. If you extract joy from apocalyptic sounds, STÜM is for you. If you can keep your shit together at 145bpm, STÜM is for you. If you’re looking to relax with a glass of red and a romcom, STÜM is for––jokes, run for your life mate, STÜM is absolutely not for you.
If you’re a fixture on Melbourne dance floors right now, you’ve worked up a sweat with Sam Alfred. Maybe you caught him weaving mayhem at Lost Sundays, or Sydney’s massive Boiler Room party earlier this year. Heavy on 90s house with sprinklings of techno, UKG and jazz licks, Alfred’s impeccable rave-taste is present from sets to studio, with originals out on Australia’s finest imprints, Gallery, Happy Wax and more. It’s a guaranteed good time from this artist on the rise.
On a trajectory to the top since he burst onto the scene in 2021, Yung Singh is what DJing sounds like when you discover anything is possible. Fiercely proud of his Punjabi-Sikh heritage, Singh’s sets swing from UKG to DnB, jungle to grime, nostalgic trance to Punjabi folk and old school hip hop. He’s energised the UK scene, spotlighted the creative output of the South Asian diaspora and sent crowds into hysterics. The mayhem of his legendary London Boiler Room says it all.
Perth alt-rock four piece DICE wear their hearts on their sleeve. With a sound likened to early 2000s NY bands such as The Strokes, they’ve been named 2023 ‘Ones To Watch’ by national tastemaker, triple j. Now in the wake of their well-received sophomore EP ‘Time Will Tell’, DICE are set to spend the spring circling the country for a string of sold out shows ahead of touching down in Glenworth Valley to see out a massive breakout year.
Rowdy beats, grizzly basslines and battle cries for a generation – Haiku Hands aren’t afraid to dive into the dirty side of a good time. Collide with them at a festival, at an art gallery, in a basement club or down a dark alley – they’ll be unapologetically extra no matter where they land. With a killer street aesthetic, bold sound and synchronised live choreography, it’s no wonder they’re making big waves in the States as well as at home. There’s really no one else dropping this much swag on the stage in one go.
Big slutty bass lines, fiery jacking beats and vocal samples pulled straight off the Chicago shelf – Heidi must be in the house. A stalwart on the global scene since the early noughties, she’s got the talent, the experience and an arsenal of bangers that’ll feed an army. But she’s also got that something extra. As Heidi says, “it’s how you bring it”.
Crate digger, radio host, producer, label owner and impeccable selector. Ireland’s Saoirse knows a thing or twelve about great music. Her endlessly diverse record bag houses dub, house, jazz, electro, garage, techno, ambient, breaks and plenty of surprises, delivered via playful and unpredictable mixes that will keep you on the edge of your sneaks.
Melbourne’s C.Frim lands where the essence of rhythm and energy converge. A conductor of dance vitality, C.Frim layers afrobeat, dancehall, rap and grime with abstract house and techno. She brings global electronic sounds to any dance floor she graces, breaking down sonic walls and pushing genres into something more vibrant. Touring Europe on the regular and dropping iconic sets at Sugar Mountain Festival and Boiler Room, C.Frim is a rising star – one helping to re-define Australia’s forward-thinking approach to dance.
Ever felt the Art of Seduction was a little tiresome? Crave a little less in the streets and more in the sheets perhaps? Well Big Wett is your gal – she’ll get you there, fast. With tracks like ‘Number 1 Pussy’, ‘King Dick’ and ‘Eat My Ass’ she puts classic electro beats and thick bouncy rhythms front and center. Big Wett delivers a no nonsense party punch that sets her well within the iconic stead of steez legend Peaches. A career fast moving, Big Wett has already spanked the stages of Dark Mofo and Splendour, aroused punters across the UK and dropped big se(x)ts on triple j’s Mix Up.
Fresh from international shows alongside the likes of Toman, FJAAK and Franky Rizardo, Litmus is a man who’s yet to learn the meaning of the word ‘dull’. Acid bass lines, cheeky vocals and an unstoppable groove – the Australian-born, Amsterdam-based minimal house aficionado is packing his sax, his sequencers and his sense for crafting dance floor mayhem to Glenworth Valley for a live performance at Lost Paradise.
Gun fingers locked and loaded: Club Angel’s wonky sets explore moody bass music and boasts chilling subs, infectious hooks and tight percussion. Rooted in 90’s UKG, this Sydneysider harnesses breakbeat, jungle and 2step to shake the house down. Making waves at Pitch Music & Arts, Digital Culture & Music – plus a slew of burgeoning club dates across AUS – Club Angel holds his own in dance floor production and control.
Cat & Calmell have a pop scope that lands amongst the cinematic and refined; a precision-like approach that’s seen them land support duties for none other than Dua Lipa and a break out hit in ‘dramatic’ that featured on Netflix’s YOU. 73 million streams and a fan base approaching 500K later, these western Sydney locals flex vocal prowess and compositions fit for the big stage. Hook heavy and melodically driven, this fast-rising duo is already rubbing shoulders with pop giants – catch them in the valley before an inevitable skyrocketing.
Sydney-based house music upstart James Pepper is inescapable. From the unmistakable riff of ‘Three Drops’ (his collaboration with Berlin-based producer, Black Loops) to his scintillating Boiler Room performance at Lost Sundays, James’ name has found itself ascending on posters, on lineups and on the lips of Australia’s club circuit. Catch up, because he isn’t slowing down.
Expect bold, genre-hopping sonics with rich afro rhythms, deep drums, house, techno and jersey club from the inimitable Ayebatonye. Best known for her eclectic song selection and set structure, Ayebatonye’s daring approach has gained attention from dance icons Marcellus Pittman and CC:DISCO!, while also opening gigs for Underground Resistance in Berlin. Always contributing to the pursuit of equity in the Aus music scene, she’s more than just a music maker – putting Black, Brown and POC artists front and centre with her platform, Irregular Fit. Strap in for an epic journey when this local legend takes control.
Something’s in the air. The Conspiracy Crew co-founder and seemingly unstoppable purveyor of good times, 2023 sees Elijah returns to LP to continue his mission: dress up, dance weird, be wonderful. An energetic DJ and passionate producer, Elijah’s resume continues to flourish despite the bowl cut (or perhaps because of it).
Mincy’s captivating bass-driven sets traverse a mash-up of grime, bassline, dubstep and speed garage flavours sure to get you moving. Her self-run label ‘Extra Spicy’ showcases underground Australian bass artists, while Mincy’s impressive release schedule spans a range of labels including Shall Not Fade, Revolver Upstairs, Sub Merchants, All Colours, Fantastic Voyage and Erbium Records. Bass faces at the ready!
A renowned figure amongst the Eora underground, Caleb’s music matches his personality: magnetic, vibrant and joyful. With a groove-laden and psychadelic take on house that has seen him garner both support and shows across the country, Caleb’s recent output (the ‘Jam Hot’ EP on Sweatrz Records) has reached the Beatport top ten and received the nod from the likes of Jamie Jones, Joseph Capriati, Franky Rizardo, Mikey Lion and more – not bad for an artist who regularly plays sets comprised of 100% his own records, remixes and bootlegs. A lesson in how not taking things seriously can lead to serious dance floor moments
With deft fingers, Crybaby sculpts soundscapes that traverse a rich fabric of house and techno. From afro bass and up tempo hip hop, her hypnotic rhythms have been smashing dance floors nationwide. Noting a tone of experimentation, Crybaby delves deep into idiosyncratic beats distilling raw sound into emotional gold. With past support duties including SKIN ON SKIN, Jarreau Vandal, Masego, ASAP Ferg & Tyga we can’t wait to see what she brings to the valley!
Seamlessly blending genres from disco to house, techno and a sprinkling of trance, Jacqui’s DJ sets mix nostalgia with innovation. As the visionary behind ‘GiRLTHING’ – the iconic and long-standing LGBTQIA+ collective and party – Jacqui’s talents have taken them to stages like Lost Paradise, Circuit Festival in Barcelona and Pony Boy in NYC; not to mention a captivating closing performance to 50,000 punters for Sydney World Pride on Bondi Beach. Captivating audiences for over a decade, this dance dynamo brings the energy to the Lost Paradise this December.
Psychadelica by way of Gadigal Country: Velvet Trip – aka Zeppelin Hamilton and Clayton Allen – blend jangly guitars, swirling synths and growling bass with a nod to Air, Khruangbin and Tame Impala. Tapped to tour Australia in support of Daft Punk-collaboraters Parcels, the pair’s mutual love of the Blues and a serendipitous introduction has evolved into something entirely their own. With their forthcoming debut album ‘Harmony Blooms’ set to arrive in late 2023, Velvet Trip is an ever-evolving entity moving in unexpected directions. Take a trip.
The breathy allure of Sloan Peterson is pure romance. Having supported The Kooks while racking up millions of streams, Sloan’s charming and quirky earworms fuse with 60s era guitars and her idyllic poetry to craft numbers tailor-made for a spin on the Glenworth Valley floor. Charming and quirky, her taunting synths and cheeky melodies will bring you into the new year with class.
Sydney’s loudest collective of liberally-dressed scallywags boast an impressive history of some of the most colourful and creative parties the city has ever seen. Returning to Lost Paradise after hosting their own stage in 2018, Conspiracy are also an accomplished label and inclusive mix series that spotlights DJs from around the world.
Hard, fast, exhilarating. Nomad Radio host, DJ and producer Caitlin Medcalf brings nothing but energy when she steps into the DJ booth. With a Boiler Room, Splendour In The Grass, Beyond The Valley and multiple Lost Sundays performances to her name, there’s just one thing left to do: go faster, go faster!
Troy Beman has spent the last seven years honing his craft in some of Australia’s most notorious nightclubs, cutting shapes and sharing the stage with the likes of Honey Dijon, Camelphat, Midland and more. A classically trained pianist from his school days, Troy brings his sparkle to the national dance music community and arrives home to Lost Paradise after relocating to the UK to strut his stuff across Europe, including a residency at London’s infamous XOYO.
Modern pop stylings that wash skyward aided by rhythmic, house-infused chords and bold, immersive vocals: this is Pirra, Wollongong’s seductive four-piece who blend infectious melodies with inspired disco patterns. Having teamed up with producers such as Konstantin Kersting (Tones & I), Roy Kerr (London Grammar), and most recently Sam Littlemore (PNAU) – who produced the highly acclaimed 2021 release ‘Never Apart’ – Pirra’s brand of synth heavy, indie-pop is built for the festival stage.
An indie band that plays a heart string? Sign us up. Jet City Sport Club has honesty unbound, with a vulnerability to stop you in your tracks. Harnessing 90’s era guitar music with a special blend of delicate vocals, bold leads and intimacy, they’ve garnered the attention of triple j and scored support slots for The Vanns, The Grogans & Trophy Eyes. JCSC bleeds a nostalgia that echoes the rolling suburbs and pubs of Sydney. You’ve no doubt seen them at your local, now watch them rock the Lost Paradise stage.
An icon amongst the Australian music scene, Shantan Wantan Ichiban has been holding it down on both community radio and triple j for a minute. A man of many hats and a talent at bringing people together, he’s been known for throwing some of the country’s biggest shindigs with his ‘Dutty Dancing’, ‘Player Haters Ball’, ‘Mad Ting’ and ‘Pineapple Republic’ events more than speaking for themselves. Cutting together the finest in Bass, Grime, Dancehall and R&B – Shantan flips even the most reserved of partygoers into arse droppin, hip shakin’ maniacs.
Sydney songwriting duo Salarymen scratch that big melodic itch that only an Aussie band can. Summer-drenched garage pop that tips its cap to those rich, paisley harmonies of old – Salarymen have more hooks than your grandad’s dingy. Nabbing a spot at SXSW in 2023, touring Japan and playing national support for Royal Otis, Salarymen are the bell bottomed, jangle jumping gift that keep on giving. Sun, Salarymen and a shandy in hand? My goodness, we’re excited.
An Australian artist celebrating her vast ancestry in more ways than one, BIRDEE 王煒 incorporates the traditional dream-like tunes of her Chinese, Greek and Russian heritage to channel something expressive and unique. Her approach to pop is inundating, combining expressive modern drum patterns, ascending instrumentation and vocal melodies to rival that of the world’s best. Atmospheric and much like her namesake, BIRDEE 王煒 soars.
A dynamic melting pot of RnB infused pop and sexy party-funk, Thunder Fox defy convention while seamlessly navigating between genre, technique and rhythm. Spending as much time in the studio as they do on stage, Thunder Fox have amassed two full length albums, over a million streams and 200K+ views on Youtube with an output that has landed the band on Australia’s most prestigious stages alongside Matt Corby, Ocean Alley, M.I.A. and The Kooks. Expect staccato grooves, synth pulses and a much needed horn section or three.
Marked by bold vocal melodies and the ability to stop on a dime, Sputnik Sweetheart keep an audience on their toes in more ways than one. Finding energy amongst emotion, the band have sculpted a sound amid geographical change, breakdowns and the ever changing self. Groovin’ The Moo, selling out shows nationwide and effortless hits? All in a day’s work for Sputnik Sweetheart.
Introducing the man who needs no introduction but deserves one anyway: the inimitable, the influential, the epic – Flume. Darling of the triple j airwaves and winner of two Hottest 100 countdowns, this Aria, Apra and Grammy-guzzling producer has reset, reshaped and redefined the sound of Aussie electronica for more than a decade and counting. Constantly evolving to make his shows bigger and bolder than ever, both fresh ideas and old favourites from Flume are guaranteed gets you moving.
Dom Dolla slings bigroom party house with catchy hooks, bouncy rhythms and basslines too slutty to meet the parents. He’s been an Australian festival fixture for years but lately our boy has come, seen and conquered the global dance scene. Now approaching 1 billion streams, Dolla is topping charts, winning awards, selling out the biggest venues in the world and in-demand as a collaborator with industry A-Listers from Nelly Furtado to MK. Somehow we get the feeling he’s still warming up…
Atmospheric indie dance rock that makes you want to jump around in the sun with your mouth open – aka the infectious formula of one of UK’s biggest exports, Foals. Touring the world for almost two decades, this multi-award-winning three-piece knows its way around a festival mainstage, striking a seasoned balance between the effervescence of indie pop and a crashing rock’n’roll intensity.
Picture this: you’ve been at the top of your game for decades; a household name in dance music and a master of the three-deck DJ set. You’ve helmed one of the longest running club nights in Ibiza, played every major dance floor in the world (and plenty of freaky little ones too), dominated dance music media and even developed a trademark catch phrase – what do you do next? Introducing Carl Cox’s ‘Hybrid’ set, where the legendary selector crafts new music live with drum machines, synths and more whilst weaving in a classic DJ set at the same time. Epic sounds, awe-inspiring skills and a whole new frontier for a bonafide living legend. Oh yes, oh yes!
Once the juicy little Wild Strawberries of the Australia’s electro golden era, award-winning Sydney trio PNAU has only become wilder and sweeter with age. Now producing five-times platinum hits like Changes and Chameleon like it’s no big deal, they’ve most recently reached stratospheric new heights with their globe-dominating remix of ‘Cold Heart’ with Elton John and Dua Lipa. If it pushes the traditional boundaries of music, societal constructs and consciousness itself – but also is a funky banger – it’s probably PNAU.
Back in 2009, two brothers from the Beaches did the world a favour and started a band. Adding a playful coastal blend to a post-Strokes rock sound, Lime Cordiale slowly graduated from backyard jams to selling out Sydney’s Hordern and London’s Electric Ballroom, one great gig at a time. Familiar fixtures at Lost over the years, we’ve watched them win Arias, dominate countdowns and even land an Idris Elba collab. Don’t let the laidback sound fool you, Lime Cordiale brings huge party energy to the stage, with horn sections, dance breaks and a feral sense of humour.
From pop-rock to r’n’b to indie electronica, we just keep coming back for the latest evolution of Brissie four-piece, The Jungle Giants. Splashed across the pointy end of the Aria and triple j charts for over a decade, the band – and its half a billion global streams – can safely be dubbed Australian indie-rock royalty. Expect a big live sound with plenty of oomph added to The Giants’ trademark nimble guitar licks and bouncy choruses that sets that drink in your hand sloshing right out of its cup and onto the punter next to you. Ahh, festivals!
Honey-smooth grooves and that signature silken baritone, Channel Tres is an unmistakably class act. Bringing the beauty of Detroit and Chicago house into mainstream consciousness in a perfect blend with hip hop grit and R&B soul, he collaborates with tastemakers from Jamie Jones to Tyler the Creator and sells out massive tours across the US, Europe and Australia. Authentic, innovative and on top of his game, Channel Tres will get you moving.
Heart stopping in its honesty, thorough in meaning and delicate grit – Holly Humberstone hits hard. Touting a fragile balladry that simultaneously packs an emotional gut punch, her’s is a sonic style that can heal. Anointed a ‘Rising Star’ at the Brit Awards, this English songsmith has played The Tonight Show and toured the States with Olivia Rodrigo. Whether grounded acoustically or soaring in atmospheric distinction, Holly will have you swooning for a love you’re yet to encounter.
What is it about Overmono that hits so deep? The stream of perfection which flows from the duo’s UK studio first found its way onto dance floors via the likes of Four Tet and Joy Orbison, and now draws punters from around the world to mainstages in droves. Overmono knows when less equals more, and when to send us into the stratosphere. The grit of breakbeat, the weight of dub and the heartwrench of melancholy vocal hooks… they all combine to hit us right in our little rave hearts, every damn time.
Once one of Sydney’s best kept secrets; now regarded as one of the world’s best live acts – Sydney six-piece Winston Surfshirt hardly need an introduction for fans of laid back, brass-laden R&B-soul. Once dubbed Sir Elton John’s “favourite band of the moment”, the collective has gone on to release multi-platinum singles and sell out tours across Australia and Europe. Now with three full lengths of original material to their name, a Surfshirt set stirs the best of West-coast hip hop, 60s psych-pop, dusty jazz recordings and the band’s trademark brass section into a delectable funk-cocktail that’s old school in feel, modern in style – and utterly irresistible.
New kids on the block, but you wouldn’t know it. The Royel Otis boys are raking in the plays, hitting the major festivals and drawing bigger crowds to each and every gig with their easy magnetism and sun-soaked indie-pop. From breakthrough hit ‘Oysters In My Pocket’ to the ultra catchy ‘Sofa King’, the pacey strum of summer underpins every track – think road trips, beach days, festivals and feelings. It’s a warm, guitar-rich sound with stacks of singalong moments. Press play on Royel Otis and activate holiday mode.
Whether its liquid D’n’B or tripped out psychedelia, Sycco’s brand of pop is essential festival material. With a production expertise that wanders from intricate beatmaking to a sparkling sense of melody, her latest offering has seen her team up with electronic icons Flume and Chrome Sparks for the inescapable ‘Ripple’. With a live show that brings an energy unbound, this First Nation’s high-flyer has already toured with Flight Facilities and Aussie psych-pop juggernauts Tame Impala. Next up: her infectious cacophony of dance and top-of-your-lungs singalongs comes to Lost Paradise. Giddy up!
Perth alt-rock four piece DICE wear their hearts on their sleeve. With a sound likened to early 2000s NY bands such as The Strokes, they’ve been named 2023 ‘Ones To Watch’ by national tastemaker, triple j. Now in the wake of their well-received sophomore EP ‘Time Will Tell’, DICE are set to spend the spring circling the country for a string of sold out shows ahead of touching down in Glenworth Valley to see out a massive breakout year.
Rowdy beats, grizzly basslines and battle cries for a generation – Haiku Hands aren’t afraid to dive into the dirty side of a good time. Collide with them at a festival, at an art gallery, in a basement club or down a dark alley – they’ll be unapologetically extra no matter where they land. With a killer street aesthetic, bold sound and synchronised live choreography, it’s no wonder they’re making big waves in the States as well as at home. There’s really no one else dropping this much swag on the stage in one go.
Ever felt the Art of Seduction was a little tiresome? Crave a little less in the streets and more in the sheets perhaps? Well Big Wett is your gal – she’ll get you there, fast. With tracks like ‘Number 1 Pussy’, ‘King Dick’ and ‘Eat My Ass’ she puts classic electro beats and thick bouncy rhythms front and center. Big Wett delivers a no nonsense party punch that sets her well within the iconic stead of steez legend Peaches. A career fast moving, Big Wett has already spanked the stages of Dark Mofo and Splendour, aroused punters across the UK and dropped big se(x)ts on triple j’s Mix Up.
Cat & Calmell have a pop scope that lands amongst the cinematic and refined; a precision-like approach that’s seen them land support duties for none other than Dua Lipa and a break out hit in ‘dramatic’ that featured on Netflix’s YOU. 73 million streams and a fan base approaching 500K later, these western Sydney locals flex vocal prowess and compositions fit for the big stage. Hook heavy and melodically driven, this fast-rising duo is already rubbing shoulders with pop giants – catch them in the valley before an inevitable skyrocketing.
Psychadelica by way of Gadigal Country: Velvet Trip – aka Zeppelin Hamilton and Clayton Allen – blend jangly guitars, swirling synths and growling bass with a nod to Air, Khruangbin and Tame Impala. Tapped to tour Australia in support of Daft Punk-collaboraters Parcels, the pair’s mutual love of the Blues and a serendipitous introduction has evolved into something entirely their own. With their forthcoming debut album ‘Harmony Blooms’ set to arrive in late 2023, Velvet Trip is an ever-evolving entity moving in unexpected directions. Take a trip.
The breathy allure of Sloan Peterson is pure romance. Having supported The Kooks while racking up millions of streams, Sloan’s charming and quirky earworms fuse with 60s era guitars and her idyllic poetry to craft numbers tailor-made for a spin on the Glenworth Valley floor. Charming and quirky, her taunting synths and cheeky melodies will bring you into the new year with class.
Modern pop stylings that wash skyward aided by rhythmic, house-infused chords and bold, immersive vocals: this is Pirra, Wollongong’s seductive four-piece who blend infectious melodies with inspired disco patterns. Having teamed up with producers such as Konstantin Kersting (Tones & I), Roy Kerr (London Grammar), and most recently Sam Littlemore (PNAU) – who produced the highly acclaimed 2021 release ‘Never Apart’ – Pirra’s brand of synth heavy, indie-pop is built for the festival stage.
An indie band that plays a heart string? Sign us up. Jet City Sport Club has honesty unbound, with a vulnerability to stop you in your tracks. Harnessing 90’s era guitar music with a special blend of delicate vocals, bold leads and intimacy, they’ve garnered the attention of triple j and scored support slots for The Vanns, The Grogans & Trophy Eyes. JCSC bleeds a nostalgia that echoes the rolling suburbs and pubs of Sydney. You’ve no doubt seen them at your local, now watch them rock the Lost Paradise stage.
Sydney songwriting duo Salarymen scratch that big melodic itch that only an Aussie band can. Summer-drenched garage pop that tips its cap to those rich, paisley harmonies of old – Salarymen have more hooks than your grandad’s dingy. Nabbing a spot at SXSW in 2023, touring Japan and playing national support for Royal Otis, Salarymen are the bell bottomed, jangle jumping gift that keep on giving. Sun, Salarymen and a shandy in hand? My goodness, we’re excited.
An Australian artist celebrating her vast ancestry in more ways than one, BIRDEE 王煒 incorporates the traditional dream-like tunes of her Chinese, Greek and Russian heritage to channel something expressive and unique. Her approach to pop is inundating, combining expressive modern drum patterns, ascending instrumentation and vocal melodies to rival that of the world’s best. Atmospheric and much like her namesake, BIRDEE 王煒 soars.
A dynamic melting pot of RnB infused pop and sexy party-funk, Thunder Fox defy convention while seamlessly navigating between genre, technique and rhythm. Spending as much time in the studio as they do on stage, Thunder Fox have amassed two full length albums, over a million streams and 200K+ views on Youtube with an output that has landed the band on Australia’s most prestigious stages alongside Matt Corby, Ocean Alley, M.I.A. and The Kooks. Expect staccato grooves, synth pulses and a much needed horn section or three.
Marked by bold vocal melodies and the ability to stop on a dime, Sputnik Sweetheart keep an audience on their toes in more ways than one. Finding energy amongst emotion, the band have sculpted a sound amid geographical change, breakdowns and the ever changing self. Groovin’ The Moo, selling out shows nationwide and effortless hits? All in a day’s work for Sputnik Sweetheart.
Creators of one of the most iconic logos in dance music, Bicep pack the punch they advertise. With unbridled passion for crate digging and a habit of producing era-defining modern classics, their shows are an expertly curated all-sensory onslaught of epic. Headlining Glastonbury, selling out London’s 10K-cap Alexandra Palace in 5 minutes, producing an anthem like Glue… it’s all in a day’s work for this legendary Belfast duo.
Limber up for a delicious blend of uplifting pianos, disco drums, irresistible rhythms and smooth basslines: a Jayda G set pays tribute to the dancefloors of the past whilst still sounding fresher than a glass of OJ. Thanks to the mid-pandemic piece of perfection that is Both Of Us, an artist already making waves on the global scene suddenly took it by storm. If you’ve seen her in action, you’ll know that ecstatic, unbridled dance floor joy is inevitable.
One of the biggest dance music duos of all time is en route to Glenworth, packing big, boisterous house bangers with hooks so good they refuse to rust after decades of play. These giants of the noughties – responsible for the classics Where’s Your Head At, Red Alert, Good Luck and Romeo – know their way around a party anthem, yet always prioritise the eccentric and unexpected. They’ve produced with the greats, banked a Grammy and reconfigured their hits into lush orchestral works; yet their hearts belong where it all began – the sweaty centre of the club.
Expect in your face, sledgehammer house music from Galway’s KETTAMA. Well-versed in lifting the roof off your favourite club or cavernous warehouse, KETTAMA sees an eager dancefloor and comes in swinging. It’s been a lightning fast rise to the global stage ever since he shoved a USB stick of originals at Mall Grab and hoped for the best. Mall Grab recognised quality, and KETTAMA’s been delivering ever since.
Here’s one to shake the cobwebs, the inhibitions and any chinstrokers in your festival crew right off: DJ Heartstring is fast, excessive and unashamedly over the top. Think raucous pop meets aggressive trance meets eurodance meets thousands of happy bouncing punters and you’re getting close to the ecstatic mayhem this duo unleashes. Come to DJ Heartstring to let loose, feel the love and have a laugh – all at the gentle pace of 150bpm.
Japanese/Australian duo Lastlings are an anthemic pool to be immersed in. Stirring synths and nuanced auditory textures provide ample footing for their pop-indebted songcraft and dexterous live performances. Having toured extensively with RÜFÜS DU SOL – as well as a run of sold-out shows both in Australia and America – Lastlings provide an atmosphere that resonates deeply within the chest; an emotional uplift set to get your body moving and heart racing. See you front left for full feels.
From Printworks to Pacha to poolside in LA, Cassian’s melodic, big-room-ready bass lines will send tingles up the back of your spine. A regular on the Tale of Us Afterlife party circuit, this Sydney born, US-based beatmaker delivers deep and epic dance floor moments to punters around the world. As active behind the scenes as he is in the booth, he’s behind a stack of your dance floor faves, recently remixing Jimi Jules and doing Aria and Grammy-winning work on releases from RÜFÜS DU SOL, Hayden James, What So Not and more.
Big bounce, big rhythms and big love: a headline set from man of the moment Ewan McVicar has it all. With impeccable taste boosted by his stack of zesty productions and remixes – including hugely successful house belter, Tell Me Something Good – McVicar channels much of his success into growing the music scene of his home town in Scotland. Great DJ – also a bit of a legend.
High octane, disco-soaked house so infectious it’ll get grandma dancing. With the ubiquitous 2022 hit Afraid To Feel soundtracking the crescendo of every club night for a solid year and claiming the top spot in the UK charts for 8 consecutive weeks, the world of these two talented Scottish lads was forever upended. The buzz around them escalated to a roar and their touring schedule became a parade of top tier bucket-list events. They sent us to the heavens at Lost Sundays – next stop, Paradise.
With productions that wash over you like golden-hour in a bottle, and live sets that take those irresistible vibes up a notch or ten, Barry Can’t Swim but he sure can dance. Purveyor of jazz-infused house tracks with innovative sampling and sunny temperaments, this Edinburgh-born, London-based artist brings joy and hedonism to dancefloors of the world. Expect high-energy, euphoric groovers with a healthy dose of Scottish mayhem.
Having torn the roof off UK festivals like Field Day, Parklife and Secret Garden Party, salute is a staple in modern dance music. The Austrian-born, Manchester-based wiz has garnered praise and important handshakes from the likes of Four Set, DJ Seinfeld and Floating Points to name but a few. If they’re not rolling out gut-busting sets for Boiler Room, they’re chopping up samples into a fine concoction of emotional, nuanced rhythms. Landing somewhere between melancholy and euphoria, salute’s productions are club heavy and brimming with pitched vocals, percussive groove and nocturnal energy.
From Beyond the Valley to Pitch to the hallowed tiles of Berlin’s Hör, STÜM has left a trail of destruction and delight in his wake. Fast, loud and ferocious, his vibe is trance meets hardstyle meets the last man standing at the doof. If you extract joy from apocalyptic sounds, STÜM is for you. If you can keep your shit together at 145bpm, STÜM is for you. If you’re looking to relax with a glass of red and a romcom, STÜM is for––jokes, run for your life mate, STÜM is absolutely not for you.
If you’re a fixture on Melbourne dance floors right now, you’ve worked up a sweat with Sam Alfred. Maybe you caught him weaving mayhem at Lost Sundays, or Sydney’s massive Boiler Room party earlier this year. Heavy on 90s house with sprinklings of techno, UKG and jazz licks, Alfred’s impeccable rave-taste is present from sets to studio, with originals out on Australia’s finest imprints, Gallery, Happy Wax and more. It’s a guaranteed good time from this artist on the rise.
Big slutty bass lines, fiery jacking beats and vocal samples pulled straight off the Chicago shelf – Heidi must be in the house. A stalwart on the global scene since the early noughties, she’s got the talent, the experience and an arsenal of bangers that’ll feed an army. But she’s also got that something extra. As Heidi says, “it’s how you bring it”.
Crate digger, radio host, producer, label owner and impeccable selector. Ireland’s Saoirse knows a thing or twelve about great music. Her endlessly diverse record bag houses dub, house, jazz, electro, garage, techno, ambient, breaks and plenty of surprises, delivered via playful and unpredictable mixes that will keep you on the edge of your sneaks.
Gun fingers locked and loaded: Club Angel’s wonky sets explore moody bass music and boasts chilling subs, infectious hooks and tight percussion. Rooted in 90’s UKG, this Sydneysider harnesses breakbeat, jungle and 2step to shake the house down. Making waves at Pitch Music & Arts, Digital Culture & Music – plus a slew of burgeoning club dates across AUS – Club Angel holds his own in dance floor production and control.
Expect bold, genre-hopping sonics with rich afro rhythms, deep drums, house, techno and jersey club from the inimitable Ayebatonye. Best known for her eclectic song selection and set structure, Ayebatonye’s daring approach has gained attention from dance icons Marcellus Pittman and CC:DISCO!, while also opening gigs for Underground Resistance in Berlin. Always contributing to the pursuit of equity in the Aus music scene, she’s more than just a music maker – putting Black, Brown and POC artists front and centre with her platform, Irregular Fit. Strap in for an epic journey when this local legend takes control.
Mincy’s captivating bass-driven sets traverse a mash-up of grime, bassline, dubstep and speed garage flavours sure to get you moving. Her self-run label ‘Extra Spicy’ showcases underground Australian bass artists, while Mincy’s impressive release schedule spans a range of labels including Shall Not Fade, Revolver Upstairs, Sub Merchants, All Colours, Fantastic Voyage and Erbium Records. Bass faces at the ready!
A renowned figure amongst the Eora underground, Caleb’s music matches his personality: magnetic, vibrant and joyful. With a groove-laden and psychadelic take on house that has seen him garner both support and shows across the country, Caleb’s recent output (the ‘Jam Hot’ EP on Sweatrz Records) has reached the Beatport top ten and received the nod from the likes of Jamie Jones, Joseph Capriati, Franky Rizardo, Mikey Lion and more – not bad for an artist who regularly plays sets comprised of 100% his own records, remixes and bootlegs. A lesson in how not taking things seriously can lead to serious dance floor moments
Hard, fast, exhilarating. Nomad Radio host, DJ and producer Caitlin Medcalf brings nothing but energy when she steps into the DJ booth. With a Boiler Room, Splendour In The Grass, Beyond The Valley and multiple Lost Sundays performances to her name, there’s just one thing left to do: go faster, go faster!
Troy Beman has spent the last seven years honing his craft in some of Australia’s most notorious nightclubs, cutting shapes and sharing the stage with the likes of Honey Dijon, Camelphat, Midland and more. A classically trained pianist from his school days, Troy brings his sparkle to the national dance music community and arrives home to Lost Paradise after relocating to the UK to strut his stuff across Europe, including a residency at London’s infamous XOYO.
On a trajectory to the top since he burst onto the scene in 2021, Yung Singh is what DJing sounds like when you discover anything is possible. Fiercely proud of his Punjabi-Sikh heritage, Singh’s sets swing from UKG to DnB, jungle to grime, nostalgic trance to Punjabi folk and old school hip hop. He’s energised the UK scene, spotlighted the creative output of the South Asian diaspora and sent crowds into hysterics. The mayhem of his legendary London Boiler Room says it all.
Melbourne’s C.Frim lands where the essence of rhythm and energy converge. A conductor of dance vitality, C.Frim layers afrobeat, dancehall, rap and grime with abstract house and techno. She brings global electronic sounds to any dance floor she graces, breaking down sonic walls and pushing genres into something more vibrant. Touring Europe on the regular and dropping iconic sets at Sugar Mountain Festival and Boiler Room, C.Frim is a rising star – one helping to re-define Australia’s forward-thinking approach to dance.
Fresh from international shows alongside the likes of Toman, FJAAK and Franky Rizardo, Litmus is a man who’s yet to learn the meaning of the word ‘dull’. Acid bass lines, cheeky vocals and an unstoppable groove – the Australian-born, Amsterdam-based minimal house aficionado is packing his sax, his sequencers and his sense for crafting dance floor mayhem to Glenworth Valley for a live performance at Lost Paradise.
Sydney-based house music upstart James Pepper is inescapable. From the unmistakable riff of ‘Three Drops’ (his collaboration with Berlin-based producer, Black Loops) to his scintillating Boiler Room performance at Lost Sundays, James’ name has found itself ascending on posters, on lineups and on the lips of Australia’s club circuit. Catch up, because he isn’t slowing down.
Something’s in the air. The Conspiracy Crew co-founder and seemingly unstoppable purveyor of good times, 2023 sees Elijah returns to LP to continue his mission: dress up, dance weird, be wonderful. An energetic DJ and passionate producer, Elijah’s resume continues to flourish despite the bowl cut (or perhaps because of it).
With deft fingers, Crybaby sculpts soundscapes that traverse a rich fabric of house and techno. From afro bass and up tempo hip hop, her hypnotic rhythms have been smashing dance floors nationwide. Noting a tone of experimentation, Crybaby delves deep into idiosyncratic beats distilling raw sound into emotional gold. With past support duties including SKIN ON SKIN, Jarreau Vandal, Masego, ASAP Ferg & Tyga we can’t wait to see what she brings to the valley!
Seamlessly blending genres from disco to house, techno and a sprinkling of trance, Jacqui’s DJ sets mix nostalgia with innovation. As the visionary behind ‘GiRLTHING’ – the iconic and long-standing LGBTQIA+ collective and party – Jacqui’s talents have taken them to stages like Lost Paradise, Circuit Festival in Barcelona and Pony Boy in NYC; not to mention a captivating closing performance to 50,000 punters for Sydney World Pride on Bondi Beach. Captivating audiences for over a decade, this dance dynamo brings the energy to the Lost Paradise this December.
Sydney’s loudest collective of liberally-dressed scallywags boast an impressive history of some of the most colourful and creative parties the city has ever seen. Returning to Lost Paradise after hosting their own stage in 2018, Conspiracy are also an accomplished label and inclusive mix series that spotlights DJs from around the world.
An icon amongst the Australian music scene, Shantan Wantan Ichiban has been holding it down on both community radio and triple j for a minute. A man of many hats and a talent at bringing people together, he’s been known for throwing some of the country’s biggest shindigs with his ‘Dutty Dancing’, ‘Player Haters Ball’, ‘Mad Ting’ and ‘Pineapple Republic’ events more than speaking for themselves. Cutting together the finest in Bass, Grime, Dancehall and R&B – Shantan flips even the most reserved of partygoers into arse droppin, hip shakin’ maniacs.
FULL LINE UP
ARTISTS BY STAGE
Introducing the man who needs no introduction but deserves one anyway: the inimitable, the influential, the epic – Flume. Darling of the triple j airwaves and winner of two Hottest 100 countdowns, this Aria, Apra and Grammy-guzzling producer has reset, reshaped and redefined the sound of Aussie electronica for more than a decade and counting. Constantly evolving to make his shows bigger and bolder than ever, both fresh ideas and old favourites from Flume are guaranteed gets you moving.
Dom Dolla slings bigroom party house with catchy hooks, bouncy rhythms and basslines too slutty to meet the parents. He’s been an Australian festival fixture for years but lately our boy has come, seen and conquered the global dance scene. Now approaching 1 billion streams, Dolla is topping charts, winning awards, selling out the biggest venues in the world and in-demand as a collaborator with industry A-Listers from Nelly Furtado to MK. Somehow we get the feeling he’s still warming up…
Atmospheric indie dance rock that makes you want to jump around in the sun with your mouth open – aka the infectious formula of one of UK’s biggest exports, Foals. Touring the world for almost two decades, this multi-award-winning three-piece knows its way around a festival mainstage, striking a seasoned balance between the effervescence of indie pop and a crashing rock’n’roll intensity.
Creators of one of the most iconic logos in dance music, Bicep pack the punch they advertise. With unbridled passion for crate digging and a habit of producing era-defining modern classics, their shows are an expertly curated all-sensory onslaught of epic. Headlining Glastonbury, selling out London’s 10K-cap Alexandra Palace in 5 minutes, producing an anthem like Glue… it’s all in a day’s work for this legendary Belfast duo.
Picture this: you’ve been at the top of your game for decades; a household name in dance music and a master of the three-deck DJ set. You’ve helmed one of the longest running club nights in Ibiza, played every major dance floor in the world (and plenty of freaky little ones too), dominated dance music media and even developed a trademark catch phrase – what do you do next? Introducing Carl Cox’s ‘Hybrid’ set, where the legendary selector crafts new music live with drum machines, synths and more whilst weaving in a classic DJ set at the same time. Epic sounds, awe-inspiring skills and a whole new frontier for a bonafide living legend. Oh yes, oh yes!
Once the juicy little Wild Strawberries of the Australia’s electro golden era, award-winning Sydney trio PNAU has only become wilder and sweeter with age. Now producing five-times platinum hits like Changes and Chameleon like it’s no big deal, they’ve most recently reached stratospheric new heights with their globe-dominating remix of ‘Cold Heart’ with Elton John and Dua Lipa. If it pushes the traditional boundaries of music, societal constructs and consciousness itself – but also is a funky banger – it’s probably PNAU.
Back in 2009, two brothers from the Beaches did the world a favour and started a band. Adding a playful coastal blend to a post-Strokes rock sound, Lime Cordiale slowly graduated from backyard jams to selling out Sydney’s Hordern and London’s Electric Ballroom, one great gig at a time. Familiar fixtures at Lost over the years, we’ve watched them win Arias, dominate countdowns and even land an Idris Elba collab. Don’t let the laidback sound fool you, Lime Cordiale brings huge party energy to the stage, with horn sections, dance breaks and a feral sense of humour.
From pop-rock to r’n’b to indie electronica, we just keep coming back for the latest evolution of Brissie four-piece, The Jungle Giants. Splashed across the pointy end of the Aria and triple j charts for over a decade, the band – and its half a billion global streams – can safely be dubbed Australian indie-rock royalty. Expect a big live sound with plenty of oomph added to The Giants’ trademark nimble guitar licks and bouncy choruses that sets that drink in your hand sloshing right out of its cup and onto the punter next to you. Ahh, festivals!
Limber up for a delicious blend of uplifting pianos, disco drums, irresistible rhythms and smooth basslines: a Jayda G set pays tribute to the dancefloors of the past whilst still sounding fresher than a glass of OJ. Thanks to the mid-pandemic piece of perfection that is Both Of Us, an artist already making waves on the global scene suddenly took it by storm. If you’ve seen her in action, you’ll know that ecstatic, unbridled dance floor joy is inevitable.
One of the biggest dance music duos of all time is en route to Glenworth, packing big, boisterous house bangers with hooks so good they refuse to rust after decades of play. These giants of the noughties – responsible for the classics Where’s Your Head At, Red Alert, Good Luck and Romeo – know their way around a party anthem, yet always prioritise the eccentric and unexpected. They’ve produced with the greats, banked a Grammy and reconfigured their hits into lush orchestral works; yet their hearts belong where it all began – the sweaty centre of the club.
Honey-smooth grooves and that signature silken baritone, Channel Tres is an unmistakably class act. Bringing the beauty of Detroit and Chicago house into mainstream consciousness in a perfect blend with hip hop grit and R&B soul, he collaborates with tastemakers from Jamie Jones to Tyler the Creator and sells out massive tours across the US, Europe and Australia. Authentic, innovative and on top of his game, Channel Tres will get you moving.
Heart stopping in its honesty, thorough in meaning and delicate grit – Holly Humberstone hits hard. Touting a fragile balladry that simultaneously packs an emotional gut punch, her’s is a sonic style that can heal. Anointed a ‘Rising Star’ at the Brit Awards, this English songsmith has played The Tonight Show and toured the States with Olivia Rodrigo. Whether grounded acoustically or soaring in atmospheric distinction, Holly will have you swooning for a love you’re yet to encounter.
What is it about Overmono that hits so deep? The stream of perfection which flows from the duo’s UK studio first found its way onto dance floors via the likes of Four Tet and Joy Orbison, and now draws punters from around the world to mainstages in droves. Overmono knows when less equals more, and when to send us into the stratosphere. The grit of breakbeat, the weight of dub and the heartwrench of melancholy vocal hooks… they all combine to hit us right in our little rave hearts, every damn time.
Expect in your face, sledgehammer house music from Galway’s KETTAMA. Well-versed in lifting the roof off your favourite club or cavernous warehouse, KETTAMA sees an eager dancefloor and comes in swinging. It’s been a lightning fast rise to the global stage ever since he shoved a USB stick of originals at Mall Grab and hoped for the best. Mall Grab recognised quality, and KETTAMA’s been delivering ever since.
Once one of Sydney’s best kept secrets; now regarded as one of the world’s best live acts – Sydney six-piece Winston Surfshirt hardly need an introduction for fans of laid back, brass-laden R&B-soul. Once dubbed Sir Elton John’s “favourite band of the moment”, the collective has gone on to release multi-platinum singles and sell out tours across Australia and Europe. Now with three full lengths of original material to their name, a Surfshirt set stirs the best of West-coast hip hop, 60s psych-pop, dusty jazz recordings and the band’s trademark brass section into a delectable funk-cocktail that’s old school in feel, modern in style – and utterly irresistible.
Here’s one to shake the cobwebs, the inhibitions and any chinstrokers in your festival crew right off: DJ Heartstring is fast, excessive and unashamedly over the top. Think raucous pop meets aggressive trance meets eurodance meets thousands of happy bouncing punters and you’re getting close to the ecstatic mayhem this duo unleashes. Come to DJ Heartstring to let loose, feel the love and have a laugh – all at the gentle pace of 150bpm.
Japanese/Australian duo Lastlings are an anthemic pool to be immersed in. Stirring synths and nuanced auditory textures provide ample footing for their pop-indebted songcraft and dexterous live performances. Having toured extensively with RÜFÜS DU SOL – as well as a run of sold-out shows both in Australia and America – Lastlings provide an atmosphere that resonates deeply within the chest; an emotional uplift set to get your body moving and heart racing. See you front left for full feels.
New kids on the block, but you wouldn’t know it. The Royel Otis boys are raking in the plays, hitting the major festivals and drawing bigger crowds to each and every gig with their easy magnetism and sun-soaked indie-pop. From breakthrough hit ‘Oysters In My Pocket’ to the ultra catchy ‘Sofa King’, the pacey strum of summer underpins every track – think road trips, beach days, festivals and feelings. It’s a warm, guitar-rich sound with stacks of singalong moments. Press play on Royel Otis and activate holiday mode.
Whether its liquid D’n’B or tripped out psychedelia, Sycco’s brand of pop is essential festival material. With a production expertise that wanders from intricate beatmaking to a sparkling sense of melody, her latest offering has seen her team up with electronic icons Flume and Chrome Sparks for the inescapable ‘Ripple’. With a live show that brings an energy unbound, this First Nation’s high-flyer has already toured with Flight Facilities and Aussie psych-pop juggernauts Tame Impala. Next up: her infectious cacophony of dance and top-of-your-lungs singalongs comes to Lost Paradise. Giddy up!
From Printworks to Pacha to poolside in LA, Cassian’s melodic, big-room-ready bass lines will send tingles up the back of your spine. A regular on the Tale of Us Afterlife party circuit, this Sydney born, US-based beatmaker delivers deep and epic dance floor moments to punters around the world. As active behind the scenes as he is in the booth, he’s behind a stack of your dance floor faves, recently remixing Jimi Jules and doing Aria and Grammy-winning work on releases from RÜFÜS DU SOL, Hayden James, What So Not and more.
Big bounce, big rhythms and big love: a headline set from man of the moment Ewan McVicar has it all. With impeccable taste boosted by his stack of zesty productions and remixes – including hugely successful house belter, Tell Me Something Good – McVicar channels much of his success into growing the music scene of his home town in Scotland. Great DJ – also a bit of a legend.
High octane, disco-soaked house so infectious it’ll get grandma dancing. With the ubiquitous 2022 hit Afraid To Feel soundtracking the crescendo of every club night for a solid year and claiming the top spot in the UK charts for 8 consecutive weeks, the world of these two talented Scottish lads was forever upended. The buzz around them escalated to a roar and their touring schedule became a parade of top tier bucket-list events. They sent us to the heavens at Lost Sundays – next stop, Paradise.
With productions that wash over you like golden-hour in a bottle, and live sets that take those irresistible vibes up a notch or ten, Barry Can’t Swim but he sure can dance. Purveyor of jazz-infused house tracks with innovative sampling and sunny temperaments, this Edinburgh-born, London-based artist brings joy and hedonism to dancefloors of the world. Expect high-energy, euphoric groovers with a healthy dose of Scottish mayhem.
Having torn the roof off UK festivals like Field Day, Parklife and Secret Garden Party, salute is a staple in modern dance music. The Austrian-born, Manchester-based wiz has garnered praise and important handshakes from the likes of Four Set, DJ Seinfeld and Floating Points to name but a few. If they’re not rolling out gut-busting sets for Boiler Room, they’re chopping up samples into a fine concoction of emotional, nuanced rhythms. Landing somewhere between melancholy and euphoria, salute’s productions are club heavy and brimming with pitched vocals, percussive groove and nocturnal energy.
From Beyond the Valley to Pitch to the hallowed tiles of Berlin’s Hör, STÜM has left a trail of destruction and delight in his wake. Fast, loud and ferocious, his vibe is trance meets hardstyle meets the last man standing at the doof. If you extract joy from apocalyptic sounds, STÜM is for you. If you can keep your shit together at 145bpm, STÜM is for you. If you’re looking to relax with a glass of red and a romcom, STÜM is for––jokes, run for your life mate, STÜM is absolutely not for you.
If you’re a fixture on Melbourne dance floors right now, you’ve worked up a sweat with Sam Alfred. Maybe you caught him weaving mayhem at Lost Sundays, or Sydney’s massive Boiler Room party earlier this year. Heavy on 90s house with sprinklings of techno, UKG and jazz licks, Alfred’s impeccable rave-taste is present from sets to studio, with originals out on Australia’s finest imprints, Gallery, Happy Wax and more. It’s a guaranteed good time from this artist on the rise.
On a trajectory to the top since he burst onto the scene in 2021, Yung Singh is what DJing sounds like when you discover anything is possible. Fiercely proud of his Punjabi-Sikh heritage, Singh’s sets swing from UKG to DnB, jungle to grime, nostalgic trance to Punjabi folk and old school hip hop. He’s energised the UK scene, spotlighted the creative output of the South Asian diaspora and sent crowds into hysterics. The mayhem of his legendary London Boiler Room says it all.
Perth alt-rock four piece DICE wear their hearts on their sleeve. With a sound likened to early 2000s NY bands such as The Strokes, they’ve been named 2023 ‘Ones To Watch’ by national tastemaker, triple j. Now in the wake of their well-received sophomore EP ‘Time Will Tell’, DICE are set to spend the spring circling the country for a string of sold out shows ahead of touching down in Glenworth Valley to see out a massive breakout year.
Rowdy beats, grizzly basslines and battle cries for a generation – Haiku Hands aren’t afraid to dive into the dirty side of a good time. Collide with them at a festival, at an art gallery, in a basement club or down a dark alley – they’ll be unapologetically extra no matter where they land. With a killer street aesthetic, bold sound and synchronised live choreography, it’s no wonder they’re making big waves in the States as well as at home. There’s really no one else dropping this much swag on the stage in one go.
Big slutty bass lines, fiery jacking beats and vocal samples pulled straight off the Chicago shelf – Heidi must be in the house. A stalwart on the global scene since the early noughties, she’s got the talent, the experience and an arsenal of bangers that’ll feed an army. But she’s also got that something extra. As Heidi says, “it’s how you bring it”.
Crate digger, radio host, producer, label owner and impeccable selector. Ireland’s Saoirse knows a thing or twelve about great music. Her endlessly diverse record bag houses dub, house, jazz, electro, garage, techno, ambient, breaks and plenty of surprises, delivered via playful and unpredictable mixes that will keep you on the edge of your sneaks.
Melbourne’s C.Frim lands where the essence of rhythm and energy converge. A conductor of dance vitality, C.Frim layers afrobeat, dancehall, rap and grime with abstract house and techno. She brings global electronic sounds to any dance floor she graces, breaking down sonic walls and pushing genres into something more vibrant. Touring Europe on the regular and dropping iconic sets at Sugar Mountain Festival and Boiler Room, C.Frim is a rising star – one helping to re-define Australia’s forward-thinking approach to dance.
Ever felt the Art of Seduction was a little tiresome? Crave a little less in the streets and more in the sheets perhaps? Well Big Wett is your gal – she’ll get you there, fast. With tracks like ‘Number 1 Pussy’, ‘King Dick’ and ‘Eat My Ass’ she puts classic electro beats and thick bouncy rhythms front and center. Big Wett delivers a no nonsense party punch that sets her well within the iconic stead of steez legend Peaches. A career fast moving, Big Wett has already spanked the stages of Dark Mofo and Splendour, aroused punters across the UK and dropped big se(x)ts on triple j’s Mix Up.
Fresh from international shows alongside the likes of Toman, FJAAK and Franky Rizardo, Litmus is a man who’s yet to learn the meaning of the word ‘dull’. Acid bass lines, cheeky vocals and an unstoppable groove – the Australian-born, Amsterdam-based minimal house aficionado is packing his sax, his sequencers and his sense for crafting dance floor mayhem to Glenworth Valley for a live performance at Lost Paradise.
Gun fingers locked and loaded: Club Angel’s wonky sets explore moody bass music and boasts chilling subs, infectious hooks and tight percussion. Rooted in 90’s UKG, this Sydneysider harnesses breakbeat, jungle and 2step to shake the house down. Making waves at Pitch Music & Arts, Digital Culture & Music – plus a slew of burgeoning club dates across AUS – Club Angel holds his own in dance floor production and control.
Cat & Calmell have a pop scope that lands amongst the cinematic and refined; a precision-like approach that’s seen them land support duties for none other than Dua Lipa and a break out hit in ‘dramatic’ that featured on Netflix’s YOU. 73 million streams and a fan base approaching 500K later, these western Sydney locals flex vocal prowess and compositions fit for the big stage. Hook heavy and melodically driven, this fast-rising duo is already rubbing shoulders with pop giants – catch them in the valley before an inevitable skyrocketing.
Sydney-based house music upstart James Pepper is inescapable. From the unmistakable riff of ‘Three Drops’ (his collaboration with Berlin-based producer, Black Loops) to his scintillating Boiler Room performance at Lost Sundays, James’ name has found itself ascending on posters, on lineups and on the lips of Australia’s club circuit. Catch up, because he isn’t slowing down.
Expect bold, genre-hopping sonics with rich afro rhythms, deep drums, house, techno and jersey club from the inimitable Ayebatonye. Best known for her eclectic song selection and set structure, Ayebatonye’s daring approach has gained attention from dance icons Marcellus Pittman and CC:DISCO!, while also opening gigs for Underground Resistance in Berlin. Always contributing to the pursuit of equity in the Aus music scene, she’s more than just a music maker – putting Black, Brown and POC artists front and centre with her platform, Irregular Fit. Strap in for an epic journey when this local legend takes control.
Something’s in the air. The Conspiracy Crew co-founder and seemingly unstoppable purveyor of good times, 2023 sees Elijah returns to LP to continue his mission: dress up, dance weird, be wonderful. An energetic DJ and passionate producer, Elijah’s resume continues to flourish despite the bowl cut (or perhaps because of it).
Mincy’s captivating bass-driven sets traverse a mash-up of grime, bassline, dubstep and speed garage flavours sure to get you moving. Her self-run label ‘Extra Spicy’ showcases underground Australian bass artists, while Mincy’s impressive release schedule spans a range of labels including Shall Not Fade, Revolver Upstairs, Sub Merchants, All Colours, Fantastic Voyage and Erbium Records. Bass faces at the ready!
A renowned figure amongst the Eora underground, Caleb’s music matches his personality: magnetic, vibrant and joyful. With a groove-laden and psychadelic take on house that has seen him garner both support and shows across the country, Caleb’s recent output (the ‘Jam Hot’ EP on Sweatrz Records) has reached the Beatport top ten and received the nod from the likes of Jamie Jones, Joseph Capriati, Franky Rizardo, Mikey Lion and more – not bad for an artist who regularly plays sets comprised of 100% his own records, remixes and bootlegs. A lesson in how not taking things seriously can lead to serious dance floor moments
With deft fingers, Crybaby sculpts soundscapes that traverse a rich fabric of house and techno. From afro bass and up tempo hip hop, her hypnotic rhythms have been smashing dance floors nationwide. Noting a tone of experimentation, Crybaby delves deep into idiosyncratic beats distilling raw sound into emotional gold. With past support duties including SKIN ON SKIN, Jarreau Vandal, Masego, ASAP Ferg & Tyga we can’t wait to see what she brings to the valley!
Seamlessly blending genres from disco to house, techno and a sprinkling of trance, Jacqui’s DJ sets mix nostalgia with innovation. As the visionary behind ‘GiRLTHING’ – the iconic and long-standing LGBTQIA+ collective and party – Jacqui’s talents have taken them to stages like Lost Paradise, Circuit Festival in Barcelona and Pony Boy in NYC; not to mention a captivating closing performance to 50,000 punters for Sydney World Pride on Bondi Beach. Captivating audiences for over a decade, this dance dynamo brings the energy to the Lost Paradise this December.
Psychadelica by way of Gadigal Country: Velvet Trip – aka Zeppelin Hamilton and Clayton Allen – blend jangly guitars, swirling synths and growling bass with a nod to Air, Khruangbin and Tame Impala. Tapped to tour Australia in support of Daft Punk-collaboraters Parcels, the pair’s mutual love of the Blues and a serendipitous introduction has evolved into something entirely their own. With their forthcoming debut album ‘Harmony Blooms’ set to arrive in late 2023, Velvet Trip is an ever-evolving entity moving in unexpected directions. Take a trip.
The breathy allure of Sloan Peterson is pure romance. Having supported The Kooks while racking up millions of streams, Sloan’s charming and quirky earworms fuse with 60s era guitars and her idyllic poetry to craft numbers tailor-made for a spin on the Glenworth Valley floor. Charming and quirky, her taunting synths and cheeky melodies will bring you into the new year with class.
Sydney’s loudest collective of liberally-dressed scallywags boast an impressive history of some of the most colourful and creative parties the city has ever seen. Returning to Lost Paradise after hosting their own stage in 2018, Conspiracy are also an accomplished label and inclusive mix series that spotlights DJs from around the world.
Hard, fast, exhilarating. Nomad Radio host, DJ and producer Caitlin Medcalf brings nothing but energy when she steps into the DJ booth. With a Boiler Room, Splendour In The Grass, Beyond The Valley and multiple Lost Sundays performances to her name, there’s just one thing left to do: go faster, go faster!
Troy Beman has spent the last seven years honing his craft in some of Australia’s most notorious nightclubs, cutting shapes and sharing the stage with the likes of Honey Dijon, Camelphat, Midland and more. A classically trained pianist from his school days, Troy brings his sparkle to the national dance music community and arrives home to Lost Paradise after relocating to the UK to strut his stuff across Europe, including a residency at London’s infamous XOYO.
Modern pop stylings that wash skyward aided by rhythmic, house-infused chords and bold, immersive vocals: this is Pirra, Wollongong’s seductive four-piece who blend infectious melodies with inspired disco patterns. Having teamed up with producers such as Konstantin Kersting (Tones & I), Roy Kerr (London Grammar), and most recently Sam Littlemore (PNAU) – who produced the highly acclaimed 2021 release ‘Never Apart’ – Pirra’s brand of synth heavy, indie-pop is built for the festival stage.
An indie band that plays a heart string? Sign us up. Jet City Sport Club has honesty unbound, with a vulnerability to stop you in your tracks. Harnessing 90’s era guitar music with a special blend of delicate vocals, bold leads and intimacy, they’ve garnered the attention of triple j and scored support slots for The Vanns, The Grogans & Trophy Eyes. JCSC bleeds a nostalgia that echoes the rolling suburbs and pubs of Sydney. You’ve no doubt seen them at your local, now watch them rock the Lost Paradise stage.
An icon amongst the Australian music scene, Shantan Wantan Ichiban has been holding it down on both community radio and triple j for a minute. A man of many hats and a talent at bringing people together, he’s been known for throwing some of the country’s biggest shindigs with his ‘Dutty Dancing’, ‘Player Haters Ball’, ‘Mad Ting’ and ‘Pineapple Republic’ events more than speaking for themselves. Cutting together the finest in Bass, Grime, Dancehall and R&B – Shantan flips even the most reserved of partygoers into arse droppin, hip shakin’ maniacs.
Sydney songwriting duo Salarymen scratch that big melodic itch that only an Aussie band can. Summer-drenched garage pop that tips its cap to those rich, paisley harmonies of old – Salarymen have more hooks than your grandad’s dingy. Nabbing a spot at SXSW in 2023, touring Japan and playing national support for Royal Otis, Salarymen are the bell bottomed, jangle jumping gift that keep on giving. Sun, Salarymen and a shandy in hand? My goodness, we’re excited.
An Australian artist celebrating her vast ancestry in more ways than one, BIRDEE 王煒 incorporates the traditional dream-like tunes of her Chinese, Greek and Russian heritage to channel something expressive and unique. Her approach to pop is inundating, combining expressive modern drum patterns, ascending instrumentation and vocal melodies to rival that of the world’s best. Atmospheric and much like her namesake, BIRDEE 王煒 soars.
A dynamic melting pot of RnB infused pop and sexy party-funk, Thunder Fox defy convention while seamlessly navigating between genre, technique and rhythm. Spending as much time in the studio as they do on stage, Thunder Fox have amassed two full length albums, over a million streams and 200K+ views on Youtube with an output that has landed the band on Australia’s most prestigious stages alongside Matt Corby, Ocean Alley, M.I.A. and The Kooks. Expect staccato grooves, synth pulses and a much needed horn section or three.
Marked by bold vocal melodies and the ability to stop on a dime, Sputnik Sweetheart keep an audience on their toes in more ways than one. Finding energy amongst emotion, the band have sculpted a sound amid geographical change, breakdowns and the ever changing self. Groovin’ The Moo, selling out shows nationwide and effortless hits? All in a day’s work for Sputnik Sweetheart.
Introducing the man who needs no introduction but deserves one anyway: the inimitable, the influential, the epic – Flume. Darling of the triple j airwaves and winner of two Hottest 100 countdowns, this Aria, Apra and Grammy-guzzling producer has reset, reshaped and redefined the sound of Aussie electronica for more than a decade and counting. Constantly evolving to make his shows bigger and bolder than ever, both fresh ideas and old favourites from Flume are guaranteed gets you moving.
Dom Dolla slings bigroom party house with catchy hooks, bouncy rhythms and basslines too slutty to meet the parents. He’s been an Australian festival fixture for years but lately our boy has come, seen and conquered the global dance scene. Now approaching 1 billion streams, Dolla is topping charts, winning awards, selling out the biggest venues in the world and in-demand as a collaborator with industry A-Listers from Nelly Furtado to MK. Somehow we get the feeling he’s still warming up…
Atmospheric indie dance rock that makes you want to jump around in the sun with your mouth open – aka the infectious formula of one of UK’s biggest exports, Foals. Touring the world for almost two decades, this multi-award-winning three-piece knows its way around a festival mainstage, striking a seasoned balance between the effervescence of indie pop and a crashing rock’n’roll intensity.
Picture this: you’ve been at the top of your game for decades; a household name in dance music and a master of the three-deck DJ set. You’ve helmed one of the longest running club nights in Ibiza, played every major dance floor in the world (and plenty of freaky little ones too), dominated dance music media and even developed a trademark catch phrase – what do you do next? Introducing Carl Cox’s ‘Hybrid’ set, where the legendary selector crafts new music live with drum machines, synths and more whilst weaving in a classic DJ set at the same time. Epic sounds, awe-inspiring skills and a whole new frontier for a bonafide living legend. Oh yes, oh yes!
Once the juicy little Wild Strawberries of the Australia’s electro golden era, award-winning Sydney trio PNAU has only become wilder and sweeter with age. Now producing five-times platinum hits like Changes and Chameleon like it’s no big deal, they’ve most recently reached stratospheric new heights with their globe-dominating remix of ‘Cold Heart’ with Elton John and Dua Lipa. If it pushes the traditional boundaries of music, societal constructs and consciousness itself – but also is a funky banger – it’s probably PNAU.
Back in 2009, two brothers from the Beaches did the world a favour and started a band. Adding a playful coastal blend to a post-Strokes rock sound, Lime Cordiale slowly graduated from backyard jams to selling out Sydney’s Hordern and London’s Electric Ballroom, one great gig at a time. Familiar fixtures at Lost over the years, we’ve watched them win Arias, dominate countdowns and even land an Idris Elba collab. Don’t let the laidback sound fool you, Lime Cordiale brings huge party energy to the stage, with horn sections, dance breaks and a feral sense of humour.
From pop-rock to r’n’b to indie electronica, we just keep coming back for the latest evolution of Brissie four-piece, The Jungle Giants. Splashed across the pointy end of the Aria and triple j charts for over a decade, the band – and its half a billion global streams – can safely be dubbed Australian indie-rock royalty. Expect a big live sound with plenty of oomph added to The Giants’ trademark nimble guitar licks and bouncy choruses that sets that drink in your hand sloshing right out of its cup and onto the punter next to you. Ahh, festivals!
Honey-smooth grooves and that signature silken baritone, Channel Tres is an unmistakably class act. Bringing the beauty of Detroit and Chicago house into mainstream consciousness in a perfect blend with hip hop grit and R&B soul, he collaborates with tastemakers from Jamie Jones to Tyler the Creator and sells out massive tours across the US, Europe and Australia. Authentic, innovative and on top of his game, Channel Tres will get you moving.
Heart stopping in its honesty, thorough in meaning and delicate grit – Holly Humberstone hits hard. Touting a fragile balladry that simultaneously packs an emotional gut punch, her’s is a sonic style that can heal. Anointed a ‘Rising Star’ at the Brit Awards, this English songsmith has played The Tonight Show and toured the States with Olivia Rodrigo. Whether grounded acoustically or soaring in atmospheric distinction, Holly will have you swooning for a love you’re yet to encounter.
What is it about Overmono that hits so deep? The stream of perfection which flows from the duo’s UK studio first found its way onto dance floors via the likes of Four Tet and Joy Orbison, and now draws punters from around the world to mainstages in droves. Overmono knows when less equals more, and when to send us into the stratosphere. The grit of breakbeat, the weight of dub and the heartwrench of melancholy vocal hooks… they all combine to hit us right in our little rave hearts, every damn time.
Once one of Sydney’s best kept secrets; now regarded as one of the world’s best live acts – Sydney six-piece Winston Surfshirt hardly need an introduction for fans of laid back, brass-laden R&B-soul. Once dubbed Sir Elton John’s “favourite band of the moment”, the collective has gone on to release multi-platinum singles and sell out tours across Australia and Europe. Now with three full lengths of original material to their name, a Surfshirt set stirs the best of West-coast hip hop, 60s psych-pop, dusty jazz recordings and the band’s trademark brass section into a delectable funk-cocktail that’s old school in feel, modern in style – and utterly irresistible.
New kids on the block, but you wouldn’t know it. The Royel Otis boys are raking in the plays, hitting the major festivals and drawing bigger crowds to each and every gig with their easy magnetism and sun-soaked indie-pop. From breakthrough hit ‘Oysters In My Pocket’ to the ultra catchy ‘Sofa King’, the pacey strum of summer underpins every track – think road trips, beach days, festivals and feelings. It’s a warm, guitar-rich sound with stacks of singalong moments. Press play on Royel Otis and activate holiday mode.
Whether its liquid D’n’B or tripped out psychedelia, Sycco’s brand of pop is essential festival material. With a production expertise that wanders from intricate beatmaking to a sparkling sense of melody, her latest offering has seen her team up with electronic icons Flume and Chrome Sparks for the inescapable ‘Ripple’. With a live show that brings an energy unbound, this First Nation’s high-flyer has already toured with Flight Facilities and Aussie psych-pop juggernauts Tame Impala. Next up: her infectious cacophony of dance and top-of-your-lungs singalongs comes to Lost Paradise. Giddy up!
Perth alt-rock four piece DICE wear their hearts on their sleeve. With a sound likened to early 2000s NY bands such as The Strokes, they’ve been named 2023 ‘Ones To Watch’ by national tastemaker, triple j. Now in the wake of their well-received sophomore EP ‘Time Will Tell’, DICE are set to spend the spring circling the country for a string of sold out shows ahead of touching down in Glenworth Valley to see out a massive breakout year.
Rowdy beats, grizzly basslines and battle cries for a generation – Haiku Hands aren’t afraid to dive into the dirty side of a good time. Collide with them at a festival, at an art gallery, in a basement club or down a dark alley – they’ll be unapologetically extra no matter where they land. With a killer street aesthetic, bold sound and synchronised live choreography, it’s no wonder they’re making big waves in the States as well as at home. There’s really no one else dropping this much swag on the stage in one go.
Ever felt the Art of Seduction was a little tiresome? Crave a little less in the streets and more in the sheets perhaps? Well Big Wett is your gal – she’ll get you there, fast. With tracks like ‘Number 1 Pussy’, ‘King Dick’ and ‘Eat My Ass’ she puts classic electro beats and thick bouncy rhythms front and center. Big Wett delivers a no nonsense party punch that sets her well within the iconic stead of steez legend Peaches. A career fast moving, Big Wett has already spanked the stages of Dark Mofo and Splendour, aroused punters across the UK and dropped big se(x)ts on triple j’s Mix Up.
Cat & Calmell have a pop scope that lands amongst the cinematic and refined; a precision-like approach that’s seen them land support duties for none other than Dua Lipa and a break out hit in ‘dramatic’ that featured on Netflix’s YOU. 73 million streams and a fan base approaching 500K later, these western Sydney locals flex vocal prowess and compositions fit for the big stage. Hook heavy and melodically driven, this fast-rising duo is already rubbing shoulders with pop giants – catch them in the valley before an inevitable skyrocketing.
Psychadelica by way of Gadigal Country: Velvet Trip – aka Zeppelin Hamilton and Clayton Allen – blend jangly guitars, swirling synths and growling bass with a nod to Air, Khruangbin and Tame Impala. Tapped to tour Australia in support of Daft Punk-collaboraters Parcels, the pair’s mutual love of the Blues and a serendipitous introduction has evolved into something entirely their own. With their forthcoming debut album ‘Harmony Blooms’ set to arrive in late 2023, Velvet Trip is an ever-evolving entity moving in unexpected directions. Take a trip.
The breathy allure of Sloan Peterson is pure romance. Having supported The Kooks while racking up millions of streams, Sloan’s charming and quirky earworms fuse with 60s era guitars and her idyllic poetry to craft numbers tailor-made for a spin on the Glenworth Valley floor. Charming and quirky, her taunting synths and cheeky melodies will bring you into the new year with class.
Modern pop stylings that wash skyward aided by rhythmic, house-infused chords and bold, immersive vocals: this is Pirra, Wollongong’s seductive four-piece who blend infectious melodies with inspired disco patterns. Having teamed up with producers such as Konstantin Kersting (Tones & I), Roy Kerr (London Grammar), and most recently Sam Littlemore (PNAU) – who produced the highly acclaimed 2021 release ‘Never Apart’ – Pirra’s brand of synth heavy, indie-pop is built for the festival stage.
An indie band that plays a heart string? Sign us up. Jet City Sport Club has honesty unbound, with a vulnerability to stop you in your tracks. Harnessing 90’s era guitar music with a special blend of delicate vocals, bold leads and intimacy, they’ve garnered the attention of triple j and scored support slots for The Vanns, The Grogans & Trophy Eyes. JCSC bleeds a nostalgia that echoes the rolling suburbs and pubs of Sydney. You’ve no doubt seen them at your local, now watch them rock the Lost Paradise stage.
Sydney songwriting duo Salarymen scratch that big melodic itch that only an Aussie band can. Summer-drenched garage pop that tips its cap to those rich, paisley harmonies of old – Salarymen have more hooks than your grandad’s dingy. Nabbing a spot at SXSW in 2023, touring Japan and playing national support for Royal Otis, Salarymen are the bell bottomed, jangle jumping gift that keep on giving. Sun, Salarymen and a shandy in hand? My goodness, we’re excited.
An Australian artist celebrating her vast ancestry in more ways than one, BIRDEE 王煒 incorporates the traditional dream-like tunes of her Chinese, Greek and Russian heritage to channel something expressive and unique. Her approach to pop is inundating, combining expressive modern drum patterns, ascending instrumentation and vocal melodies to rival that of the world’s best. Atmospheric and much like her namesake, BIRDEE 王煒 soars.
A dynamic melting pot of RnB infused pop and sexy party-funk, Thunder Fox defy convention while seamlessly navigating between genre, technique and rhythm. Spending as much time in the studio as they do on stage, Thunder Fox have amassed two full length albums, over a million streams and 200K+ views on Youtube with an output that has landed the band on Australia’s most prestigious stages alongside Matt Corby, Ocean Alley, M.I.A. and The Kooks. Expect staccato grooves, synth pulses and a much needed horn section or three.
Marked by bold vocal melodies and the ability to stop on a dime, Sputnik Sweetheart keep an audience on their toes in more ways than one. Finding energy amongst emotion, the band have sculpted a sound amid geographical change, breakdowns and the ever changing self. Groovin’ The Moo, selling out shows nationwide and effortless hits? All in a day’s work for Sputnik Sweetheart.
Creators of one of the most iconic logos in dance music, Bicep pack the punch they advertise. With unbridled passion for crate digging and a habit of producing era-defining modern classics, their shows are an expertly curated all-sensory onslaught of epic. Headlining Glastonbury, selling out London’s 10K-cap Alexandra Palace in 5 minutes, producing an anthem like Glue… it’s all in a day’s work for this legendary Belfast duo.
Limber up for a delicious blend of uplifting pianos, disco drums, irresistible rhythms and smooth basslines: a Jayda G set pays tribute to the dancefloors of the past whilst still sounding fresher than a glass of OJ. Thanks to the mid-pandemic piece of perfection that is Both Of Us, an artist already making waves on the global scene suddenly took it by storm. If you’ve seen her in action, you’ll know that ecstatic, unbridled dance floor joy is inevitable.
One of the biggest dance music duos of all time is en route to Glenworth, packing big, boisterous house bangers with hooks so good they refuse to rust after decades of play. These giants of the noughties – responsible for the classics Where’s Your Head At, Red Alert, Good Luck and Romeo – know their way around a party anthem, yet always prioritise the eccentric and unexpected. They’ve produced with the greats, banked a Grammy and reconfigured their hits into lush orchestral works; yet their hearts belong where it all began – the sweaty centre of the club.
Expect in your face, sledgehammer house music from Galway’s KETTAMA. Well-versed in lifting the roof off your favourite club or cavernous warehouse, KETTAMA sees an eager dancefloor and comes in swinging. It’s been a lightning fast rise to the global stage ever since he shoved a USB stick of originals at Mall Grab and hoped for the best. Mall Grab recognised quality, and KETTAMA’s been delivering ever since.
Here’s one to shake the cobwebs, the inhibitions and any chinstrokers in your festival crew right off: DJ Heartstring is fast, excessive and unashamedly over the top. Think raucous pop meets aggressive trance meets eurodance meets thousands of happy bouncing punters and you’re getting close to the ecstatic mayhem this duo unleashes. Come to DJ Heartstring to let loose, feel the love and have a laugh – all at the gentle pace of 150bpm.
Japanese/Australian duo Lastlings are an anthemic pool to be immersed in. Stirring synths and nuanced auditory textures provide ample footing for their pop-indebted songcraft and dexterous live performances. Having toured extensively with RÜFÜS DU SOL – as well as a run of sold-out shows both in Australia and America – Lastlings provide an atmosphere that resonates deeply within the chest; an emotional uplift set to get your body moving and heart racing. See you front left for full feels.
From Printworks to Pacha to poolside in LA, Cassian’s melodic, big-room-ready bass lines will send tingles up the back of your spine. A regular on the Tale of Us Afterlife party circuit, this Sydney born, US-based beatmaker delivers deep and epic dance floor moments to punters around the world. As active behind the scenes as he is in the booth, he’s behind a stack of your dance floor faves, recently remixing Jimi Jules and doing Aria and Grammy-winning work on releases from RÜFÜS DU SOL, Hayden James, What So Not and more.
Big bounce, big rhythms and big love: a headline set from man of the moment Ewan McVicar has it all. With impeccable taste boosted by his stack of zesty productions and remixes – including hugely successful house belter, Tell Me Something Good – McVicar channels much of his success into growing the music scene of his home town in Scotland. Great DJ – also a bit of a legend.
High octane, disco-soaked house so infectious it’ll get grandma dancing. With the ubiquitous 2022 hit Afraid To Feel soundtracking the crescendo of every club night for a solid year and claiming the top spot in the UK charts for 8 consecutive weeks, the world of these two talented Scottish lads was forever upended. The buzz around them escalated to a roar and their touring schedule became a parade of top tier bucket-list events. They sent us to the heavens at Lost Sundays – next stop, Paradise.
With productions that wash over you like golden-hour in a bottle, and live sets that take those irresistible vibes up a notch or ten, Barry Can’t Swim but he sure can dance. Purveyor of jazz-infused house tracks with innovative sampling and sunny temperaments, this Edinburgh-born, London-based artist brings joy and hedonism to dancefloors of the world. Expect high-energy, euphoric groovers with a healthy dose of Scottish mayhem.
Having torn the roof off UK festivals like Field Day, Parklife and Secret Garden Party, salute is a staple in modern dance music. The Austrian-born, Manchester-based wiz has garnered praise and important handshakes from the likes of Four Set, DJ Seinfeld and Floating Points to name but a few. If they’re not rolling out gut-busting sets for Boiler Room, they’re chopping up samples into a fine concoction of emotional, nuanced rhythms. Landing somewhere between melancholy and euphoria, salute’s productions are club heavy and brimming with pitched vocals, percussive groove and nocturnal energy.
From Beyond the Valley to Pitch to the hallowed tiles of Berlin’s Hör, STÜM has left a trail of destruction and delight in his wake. Fast, loud and ferocious, his vibe is trance meets hardstyle meets the last man standing at the doof. If you extract joy from apocalyptic sounds, STÜM is for you. If you can keep your shit together at 145bpm, STÜM is for you. If you’re looking to relax with a glass of red and a romcom, STÜM is for––jokes, run for your life mate, STÜM is absolutely not for you.
If you’re a fixture on Melbourne dance floors right now, you’ve worked up a sweat with Sam Alfred. Maybe you caught him weaving mayhem at Lost Sundays, or Sydney’s massive Boiler Room party earlier this year. Heavy on 90s house with sprinklings of techno, UKG and jazz licks, Alfred’s impeccable rave-taste is present from sets to studio, with originals out on Australia’s finest imprints, Gallery, Happy Wax and more. It’s a guaranteed good time from this artist on the rise.
Big slutty bass lines, fiery jacking beats and vocal samples pulled straight off the Chicago shelf – Heidi must be in the house. A stalwart on the global scene since the early noughties, she’s got the talent, the experience and an arsenal of bangers that’ll feed an army. But she’s also got that something extra. As Heidi says, “it’s how you bring it”.
Crate digger, radio host, producer, label owner and impeccable selector. Ireland’s Saoirse knows a thing or twelve about great music. Her endlessly diverse record bag houses dub, house, jazz, electro, garage, techno, ambient, breaks and plenty of surprises, delivered via playful and unpredictable mixes that will keep you on the edge of your sneaks.
Gun fingers locked and loaded: Club Angel’s wonky sets explore moody bass music and boasts chilling subs, infectious hooks and tight percussion. Rooted in 90’s UKG, this Sydneysider harnesses breakbeat, jungle and 2step to shake the house down. Making waves at Pitch Music & Arts, Digital Culture & Music – plus a slew of burgeoning club dates across AUS – Club Angel holds his own in dance floor production and control.
Expect bold, genre-hopping sonics with rich afro rhythms, deep drums, house, techno and jersey club from the inimitable Ayebatonye. Best known for her eclectic song selection and set structure, Ayebatonye’s daring approach has gained attention from dance icons Marcellus Pittman and CC:DISCO!, while also opening gigs for Underground Resistance in Berlin. Always contributing to the pursuit of equity in the Aus music scene, she’s more than just a music maker – putting Black, Brown and POC artists front and centre with her platform, Irregular Fit. Strap in for an epic journey when this local legend takes control.
Mincy’s captivating bass-driven sets traverse a mash-up of grime, bassline, dubstep and speed garage flavours sure to get you moving. Her self-run label ‘Extra Spicy’ showcases underground Australian bass artists, while Mincy’s impressive release schedule spans a range of labels including Shall Not Fade, Revolver Upstairs, Sub Merchants, All Colours, Fantastic Voyage and Erbium Records. Bass faces at the ready!
A renowned figure amongst the Eora underground, Caleb’s music matches his personality: magnetic, vibrant and joyful. With a groove-laden and psychadelic take on house that has seen him garner both support and shows across the country, Caleb’s recent output (the ‘Jam Hot’ EP on Sweatrz Records) has reached the Beatport top ten and received the nod from the likes of Jamie Jones, Joseph Capriati, Franky Rizardo, Mikey Lion and more – not bad for an artist who regularly plays sets comprised of 100% his own records, remixes and bootlegs. A lesson in how not taking things seriously can lead to serious dance floor moments
Hard, fast, exhilarating. Nomad Radio host, DJ and producer Caitlin Medcalf brings nothing but energy when she steps into the DJ booth. With a Boiler Room, Splendour In The Grass, Beyond The Valley and multiple Lost Sundays performances to her name, there’s just one thing left to do: go faster, go faster!
Troy Beman has spent the last seven years honing his craft in some of Australia’s most notorious nightclubs, cutting shapes and sharing the stage with the likes of Honey Dijon, Camelphat, Midland and more. A classically trained pianist from his school days, Troy brings his sparkle to the national dance music community and arrives home to Lost Paradise after relocating to the UK to strut his stuff across Europe, including a residency at London’s infamous XOYO.
On a trajectory to the top since he burst onto the scene in 2021, Yung Singh is what DJing sounds like when you discover anything is possible. Fiercely proud of his Punjabi-Sikh heritage, Singh’s sets swing from UKG to DnB, jungle to grime, nostalgic trance to Punjabi folk and old school hip hop. He’s energised the UK scene, spotlighted the creative output of the South Asian diaspora and sent crowds into hysterics. The mayhem of his legendary London Boiler Room says it all.
Melbourne’s C.Frim lands where the essence of rhythm and energy converge. A conductor of dance vitality, C.Frim layers afrobeat, dancehall, rap and grime with abstract house and techno. She brings global electronic sounds to any dance floor she graces, breaking down sonic walls and pushing genres into something more vibrant. Touring Europe on the regular and dropping iconic sets at Sugar Mountain Festival and Boiler Room, C.Frim is a rising star – one helping to re-define Australia’s forward-thinking approach to dance.
Fresh from international shows alongside the likes of Toman, FJAAK and Franky Rizardo, Litmus is a man who’s yet to learn the meaning of the word ‘dull’. Acid bass lines, cheeky vocals and an unstoppable groove – the Australian-born, Amsterdam-based minimal house aficionado is packing his sax, his sequencers and his sense for crafting dance floor mayhem to Glenworth Valley for a live performance at Lost Paradise.
Sydney-based house music upstart James Pepper is inescapable. From the unmistakable riff of ‘Three Drops’ (his collaboration with Berlin-based producer, Black Loops) to his scintillating Boiler Room performance at Lost Sundays, James’ name has found itself ascending on posters, on lineups and on the lips of Australia’s club circuit. Catch up, because he isn’t slowing down.
Something’s in the air. The Conspiracy Crew co-founder and seemingly unstoppable purveyor of good times, 2023 sees Elijah returns to LP to continue his mission: dress up, dance weird, be wonderful. An energetic DJ and passionate producer, Elijah’s resume continues to flourish despite the bowl cut (or perhaps because of it).
With deft fingers, Crybaby sculpts soundscapes that traverse a rich fabric of house and techno. From afro bass and up tempo hip hop, her hypnotic rhythms have been smashing dance floors nationwide. Noting a tone of experimentation, Crybaby delves deep into idiosyncratic beats distilling raw sound into emotional gold. With past support duties including SKIN ON SKIN, Jarreau Vandal, Masego, ASAP Ferg & Tyga we can’t wait to see what she brings to the valley!
Seamlessly blending genres from disco to house, techno and a sprinkling of trance, Jacqui’s DJ sets mix nostalgia with innovation. As the visionary behind ‘GiRLTHING’ – the iconic and long-standing LGBTQIA+ collective and party – Jacqui’s talents have taken them to stages like Lost Paradise, Circuit Festival in Barcelona and Pony Boy in NYC; not to mention a captivating closing performance to 50,000 punters for Sydney World Pride on Bondi Beach. Captivating audiences for over a decade, this dance dynamo brings the energy to the Lost Paradise this December.
Sydney’s loudest collective of liberally-dressed scallywags boast an impressive history of some of the most colourful and creative parties the city has ever seen. Returning to Lost Paradise after hosting their own stage in 2018, Conspiracy are also an accomplished label and inclusive mix series that spotlights DJs from around the world.
An icon amongst the Australian music scene, Shantan Wantan Ichiban has been holding it down on both community radio and triple j for a minute. A man of many hats and a talent at bringing people together, he’s been known for throwing some of the country’s biggest shindigs with his ‘Dutty Dancing’, ‘Player Haters Ball’, ‘Mad Ting’ and ‘Pineapple Republic’ events more than speaking for themselves. Cutting together the finest in Bass, Grime, Dancehall and R&B – Shantan flips even the most reserved of partygoers into arse droppin, hip shakin’ maniacs.
